![]() This book includes a series of papers that were presented by lecturers and PhD-students at the ECREA European Media and Communication Doctoral Summer School, in August 2009 in Tartu (Estonia) (supported by a European Commission Socrates Erasmus IP Project (contract number: 69935-IC-1-2007-EE-ERASMUS-EUC-1), the European Communication Research and Education Association (the University of Tartu – the Department of Journalism and Communication (the Danish National Research School for Media, Communication and Journalism, the Finnish National Research School and a consortium of 22 universities. Finally, this study suggests that dead or suffering bodies are often invisible in the images of the studied media organisations. It is argued that the ethical decision-making is distributed between-and sometimes even outsourced to-colleagues working in different parts of the filtering chain. On the level of workplace practices and routines, a mixture of practical preconditions, journalism's self-regulation, business logic and national legislation lead to differences in the image selection practices. ![]() All the organisations share certain similar conceptions of journalism ethics at the level of ideals. This study concludes that photojournalism professionals' ethical decision-making is discursively constructed around three frames: (1) shared ethics, (2) relative ethics and (3) distributed ethics. This research contributes to an understanding of the differences and similarities between media organisations as filters and sheds light on their role in shaping visual coverage. ![]() These filters are scrutinised by the empirical case studies that examine the professionals' ethical reasoning regarding images of violence and death. Further, the organisations form an example of a chain of filters through which most of the news images produced for the global market have to pass before publication. The study is based on ethnographic observations and interviews (N = 30) from three Western-based news organisations, each representing a link in the complex international news-image circulation process. This article explores the practices of selecting news images that depict death at a global picture agency, national picture agency and a news magazine.
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